MTV VMA 2015: Miley’s Insane Outfits, Bieber Cries, Swift wins Big!


The 2015 MTV Video Music Awards are being held Sunday, August 30, at the Microsoft Theater in Los Angeles and hosted by Miley Cyrus. Awards will be handed out in 16 categories, and Kanye West will be presented with the Vanguard Award.

LOS ANGELES, CA - AUGUST 30: Host Miley Cyrus in the audience during the 2015 MTV Video Music Awards at Microsoft Theater on August 30, 2015 in Los Angeles, California. (Photo by John Shearer/Getty Images)

Taylor Swift leads the nominations for the 2015 MTV Video Music Awards, boasting 10, mostly for her “Bad Blood” video, which is nominated for Video of the Year.

LOS ANGELES, CA - AUGUST 30: Host Miley Cyrus speaks onstage during the 2015 MTV Video Music Awards at Microsoft Theater on August 30, 2015 in Los Angeles, California. (Photo by Kevin Winter/MTV1415/Getty Images For MTV)

Ed Sheeran boasts the second most nominations with six. He is also nominated for Video of the Year for “Thinking Out Loud.” Kendrick Lamar also boasts four nominations.

LOS ANGELES, CA - AUGUST 30: Host Miley Cyrus attends the 2015 MTV Video Music Awards at Microsoft Theater on August 30, 2015 in Los Angeles, California. (Photo by Frazer Harrison/Getty Images)

The record for most awards won by an artist over their career is held by Madonna, who holds 20 trophies. Even if Swift swept all of her categories, she would not catch up.

LOS ANGELES, CA - AUGUST 30: Host Miley Cyrus speaks onstage during the 2015 MTV Video Music Awards at Microsoft Theater on August 30, 2015 in Los Angeles, California. (Photo by Lester Cohen/WireImage)

She could, however, tie Peter Gabriel’s record of 10 wins in a single year. He won those awards in 1987 — nine for his famous “Sledgehammer” video and the Video Vanguard Award in addition.

LOS ANGELES, CA - AUGUST 30: (EDITORS NOTE: Image contains nudity.) Host Miley Cyrus attends the 2015 MTV Video Music Awards at Microsoft Theater on August 30, 2015 in Los Angeles, California. (Photo by Jason Merritt/Getty Images)

Justin Bieber: 

His performance on the VMA stage was as straightforward as the VMAs get, even ending with laser lights and Bieber floating upward toward the ceiling. The rest of the set, including both “Where Are U Now” and Bieber’s new single “What Do You Mean?” showed off Bieber’s falsetto and dance moves (which apparently exist!).

By the time the performance was done and Bieber was safely back on the ground, the pop star was hunched over on his knees, breathing hard — and sobbing. Clearly of all of us, Bieber needed this performance the most.

Here is the full list of winners from the 2015 MTV VMAs (winners in bold):


Beyoncé – “7/11″
Taylor Swift – “Blank Space”
Nicki Minaj – “Anaconda”
Sia – “Elastic Heart”
Ellie Goulding – “Love Me Like You Do”

Fetty Wap – “Trap Queen”
Nicki Minaj – “Anaconda”
Kendrick Lamar – “Alright”
Wiz Khalifa ft. Charlie Puth – “See You Again”
Big Sean ft. E-40 – “I Don’t F–k With You”

Ed Sheeran – “Thinking Out Loud”
Mark Ronson ft. Bruno Mars – “Uptown Funk”
Kendrick Lamar – “Alright”
The Weeknd – “Earned It”
Nick Jonas – “Chains”


Beyoncé – “7/11″
Ed Sheeran – “Thinking Out Loud”
Taylor Swift – “Blank Space”
Mark Ronson ft. Bruno Mars – “Uptown Funk”
Maroon 5 – “Sugar”


Hozier – “Take Me to Church”
Fall Out Boy – “Uma Thurman”
Florence + the Machine – “Ship to Wreck”
Walk the Moon – “Shut Up and Dance”
Arctic Monkeys – “Why’d You Only Call Me When You’re High?”

Beyoncé – “7/11″
Ed Sheeran – “Thinking Out Loud”
Taylor Swift ft. Kendrick Lamar – “Bad Blood”
Mark Ronson ft. Bruno Mars – “Uptown Funk”
Kendrick Lamar – “Alright”

Fetty Wap – “Trap Queen”
Vance Joy – “Riptide”
George Ezra – “Budapest”
James Bay – “Hold Back The River”
FKA Twigs – “Pendulum”

Taylor Swift ft. Kendrick Lamar – “Bad Blood”
Mark Ronson ft. Bruno Mars – “Uptown Funk”
Wiz Khalifa ft. Charlie Puth – “See You Again”
Ariana Grande & The Weeknd – “Love Me Harder”
Jessie J + Ariana Grande + Nicki Minaj – “Bang Bang”

Jennifer Hudson – “I Still Love You”
Colbie Caillat – “Try”
Big Sean ft. Kanye West and John Legend – “One Man Can Change the World”
Rihanna – “American Oxygen”
Wale – “The White Shoes”


Taylor Swift ft. Kendrick Lamar – “Bad Blood” (Charles Infante)
Snoop Dogg – “So Many Pros” (François Rousselet, Jason Fijal)
Jack White – “Would You Fight For My Love” (Jack White, Jeff Peterson)
The Chemical Brothers – “Go” (Michel Gondry)
Skrillex & Diplo – “Where Are U Now” with Justin Bieber (Brewer)

Beyoncé – “7/11″ (Beyoncé, Chris Grant, Additional choreography: Gabriel Valenciano)
OK Go – “I Won’t Let You Down” (OK Go, air:man, and Mori Harano)
Chet Faker – “Gold” (Ryan Heffington)
Ed Sheeran – “Don’t” (Nappy Tabs)
Flying Lotus ft. Kendrick Lamar – “Never Catch Me” (Keone and Mari Madrid)

Flying Lotus ft. Kendrick Lamar – “Never Catch Me” (Larkin Sieple)
Ed Sheeran – “Thinking Out Loud” (Daniel Pearl)
Taylor Swift ft. Kendrick Lamar – “Bad Blood” (Christopher Probst)
FKA Twigs – “Two Weeks” (Justin Brown)
Alt-J – “Left Hand Free” (Mike Simpson)

Taylor Swift ft. Kendrick Lamar – “Bad Blood” (Joseph Kahn)
Mark Ronson ft. Bruno Mars – “Uptown Funk” (Bruno Mars and Cameron Duddy)
Kendrick Lamar – “Alright” (Colin Tilley & the Little Homies)
Hozier – “Take Me To Church” (Brendan Canty and Conal Thomson of Feel Good Lost)
Childish Gambino – “Sober” (Hiro Murai)

Beyoncé – “7/11″ (Beyoncé, Ed Burke, Jonathan Wing)
Ed Sheeran – “Don’t” (Jacquelyn London)
Taylor Swift ft. Kendrick Lamar – “Bad Blood” (Chancler Haynes at Cosmo Street)
A$AP Rocky – “L$D” (Dexter Navy)
Skrillex & Diplo “Where Are U Now” with Justin Bieber (Brewer)

Taylor Swift ft. Kendrick Lamar – “Bad Blood” (Ingenuity Studios)
FKA Twigs – “Two Weeks” (Gloria FX, Tomash Kuzmytskyi, and Max Chyzhevskyy)
Childish Gambino – “Telegraph Ave.” (Gloria FX)
Skrillex & Diplo “Where Are U Now” with Justin Bieber (Brewer, Gloria FX, and Max Chyzhevskyy)
Tyler, the Creator – “F****** Young/Death Camp” (Gloria FX)


Taylor Swift slams Apple for not paying artists, Apple reverses policy!

In case you haven’t heard about it yet, Taylor Swift wrote an open letter to Apple regarding their iTunes store policies, specifically regarding the new iTunes streaming service that Apple is about to launch soon.

The letter, published on Swift’s personal Tumblr, talked about why she is not allowing her new album ’1989′ to be streamed on iTunes. She mentioned how Apple is not paying artists for first three months of the launch of the service.

With streaming services, artists get paid according to the plays on their songs. If Apple is giving the service for free to its customers, it should reimburse the artists for the three months of lost revenue, which they don’t. (Worth noting is that Swift also does not have her entire discography on Spotify for similar monetary reasons.)

Swift further talked about how people in the music industry were dissatisfied with this move but were afraid to speak up publicly “because we admire and respect Apple so much.” She later finished her post saying “We don’t ask you for free iPhones. Please don’t ask us to provide you with our music for no compensation.”

It didn’t take long for the post to go viral and get people talking about it even on a Sunday. But before it escalated further, Apple quickly stepped in and tried to make amends. Eddy Cue, Apple’s Senior Vice President, Internet Software and Services, personally called Swift. In an interview with Billboard he said, “When I woke up this morning and saw what Taylor had written, it really solidified that we needed to make a change. And so that’s why we decide we will now pay artists during the trial period.” He then confirmed Apple will be paying the artists out of its own pockets for the first three months of the service, and that it was never their intent to not compensate artists.

Swift later tweeted out saying she was “Elated and relieved”, although she didn’t confirm if she will be making her album available for streaming on iTunes.


‘Jurassic World’ Becomes the Fastest Film to Cross $1 Billion Globally!

“Jurassic World” is poised to cross $1 billion at the global box office more quickly than any film before it.

The dinosaur blockbuster should eclipse that mark on Monday after 13 days in theaters, trumping the record set earlier this year by “Furious 7,” which took 17 days to pass that barrier. Currently, the Universal release’s worldwide total sits at $981.3 million, after topping foreign charts this weekend with a $160.5 million haul from 66 territories.

The film has shattered expectations. Going into the summer, analysts expected that the picture would be overshadowed by “Minions” and “Avengers: Age of Ultron.” Now, it has a chance of being the highest-grossing release of the year, potentially giving “Star Wars: The Force Awakens” a run for its money when it debuts this December.“It’s destroying box office records,” said Jeff Bock, an analyst with Exhibitor Relations. “It will be interesting to see how well it continues to perform. Can ‘Star Wars’ even compete with this film?”

The picture isn’t just a domestic smash. “Jurassic World” has done massive business in China, where it has earned $167.1 million, more than double the amount it has racked up anywhere else save for the United States.

Disney and Pixar’s “Inside Out” also put up big numbers at the foreign box office, though its international rollout is more staggered than that of many summer blockbusters. The critically adored family film earned a robust $41 million from 41 territories, the biggest of which were Mexico ($8.8 million), Russia ($7.7 million) and France ($5.2 million). The Russian debut ranks as Disney’s biggest animated opening in the country, while Mexico represented the best ever kickoff for an animated film that isn’t a sequel. The film still has much of Europe left to open and won’t land in China until July 30.

Foreign audiences got an early look at “Minions,” the “Despicable Me” spinoff that is expected to be one of the summer’s biggest hits. The Universal Pictures and Illumination Entertainment release bowed in four international territories this week, a quartet that includes Singapore, Australia, Indonesia and Malaysia, where it generated a sizable $12.3 million in receipts.

Among milestones, Warner Bros. and New Line’s “San Andreas” crossed $400 million at the global box office, pushing the $110 million movie squarely in profitable terrain. The disaster film added $18.8 million to its $414.2 million bounty.

The rest of the top five was rounded out by “SPL II: A Time for Consequences,” the sequel to the hit 2005 Hong Kong martial arts film “SPL: Sha Po Lang,” which earned a sizable $29 million.


‘San Andreas’ Shakes Up the Box Office!

The earthquake disaster movie easily took the top spot at the box office, grossing an estimated $53.2 million and surpassing expectations that had predicted an opening in the $40-million range. Dwayne Johnson stars as a rescue pilot who springs into action when the San Andreas fault line ruptures and sets off cataclysmic natural disasters across the country.

The movie’s opening gives Mr. Johnson, who first came to fame as professional wrestler “The Rock,” his best debut as a solo star. It is his second hit of the summer after “Furious 7.”

The performance of “San Andreas” shows he is a “four-quadrant, bigger-than-life movie star,” said Dan Fellman, president of domestic distribution at the Time Warner Inc.-owned studio.

Warner Bros.’s New Line label joined with Village Roadshow Pictures on the movie, which cost about $110 million to make.

Given the movie’s graphic destruction of Los Angeles and San Francisco, some industry observers wondered if “San Andreas” would hit too close to home for California audiences who live in fear of “the big one.” But Mr. Fellman said those “naysayers” were proven wrong: 19 of the movie’s top 20 grossing theaters were on the West Coast.

International audiences have been particularly drawn to disaster movies in the past. Recent apocalyptic epics like “2012” and “Battle: Los Angeles” overperformed in overseas markets. “San Andreas” appears to be following suit, grossing $60 million overseas this weekend. So far, it has opened in 60 markets that typically account for about half the international box office.

The weekend’s other new wide release, “Aloha,” starring Bradley Cooper and Emma Stone, barely got a chance to say hello. The Cameron Crowe movie from Sony Corp.’s Sony Pictures Entertainment opened in sixth place with a weak $10 million. Mr. Cooper stars as a defense contractor working on a weapons satellite program who falls for an Air Force pilot played by Ms. Stone.

“Aloha” fell behind a quartet of holdovers—“Pitch Perfect 2,” “Tomorrowland,” “Mad Max: Fury Road” and “Avengers: Age of Ultron.” Of those four, “Tomorrowland” appears to be falling off the map fastest—the George Clooney fantasy from Walt Disney Co. fell 58% in its second week. “Aloha” has been hit with bad buzz since last year, when leaked emails from Sony executives showed some of the studio’s top brass criticizing the movie.

Neither “San Andreas” nor “Aloha” got much love from critics; the latter was hit with particularly scathing reviews. Audiences, however, gave “San Andreas” a strong “A-” grade, according to the market research firm CinemaScore. “Aloha” received a “B-.”